A cinematic Viking story about honor, sacrifice, inner pressure, and the strength to choose humanity over victory.
Set in stormy autumn Norway, this music video follows a brutal trial for leadership, where true power is proven not by winning first, but by standing strong when it matters most.

For fans of viking songs, Nordic rap, Viking hip-hop, cinematic folk-trap, epic Viking music, and emotional warrior stories.

#VikingSongs #VikingMusic #NordicRap #VikingHipHop #NordicMusic #EpicMusic #RavenstrikeX

Listen on Spotify: https://open.spotify.com/album..../5ednZjBsk4WxjljziBw

Listen on Apple Music: https://music.apple.com/us/alb....um/pain-is-loud-sing

Hallo Para Pecinta Musik Rock
Sebuah lagu terbaik dari band UNGU dengan judul lagu "JIKA ITU YANG TERBAIK" Kini telah hadir versi cover rock terbaik dari QUALITY SHOW, dengan musik yang penuh emosional dan jernih, serta nada yang menggetar bisa membuat alunan musik ini semakin enak untuk didengar.

Terimakasih bagi kalian yang sudah menonton dan mendengarkan
Jangan lupa subscribe like dan komen

#musikrock #coversong #covermusiktop #cover #ungu #jikaituyangterbaik

Charli xcx - Rock Music
Listen: http://charlixcx.lnk.to/RockMusic

'Music, Fashion, Film' out now - https://charlixcx.lnk.to/MusicFashionFilm

Credits:
Director: Aidan Zamiri
Creative Director: Imogene Strauss

Production Company: Object & Animal
Executive Producer: Alex Brinkman
Producer: Myriam Schroeter
Associate Producer: Reese Layton

Director of Photography: James Beattie
Production Designer: Griffin Stoddard

Editor: Neal Farmer

Artist Mgmt: Twiggy Rowley, Brandon Creed, Sam Pringle & Daniela Parada
Artist Digital: Mekaila Morris

Atlantic Marketing: Marisa Aron
Atlantic Creative: Caroline DeFranco

Production Supervisor: Raven Jensen
Production Coordinator: Dan Order
Creative Assistant: Sarame Sahgal
Post Producer: Gina Crow

1st AD: Josh Montes
2nd AD: David Henrriquez
2nd 2nd AD: Alex Lycette

1st AC: DJ Carroll
2nd AC: Ashton Green
Film Loader: Luke Dowden
Phantom Operator: Jared Kovacs

Gaffer: Austin Locicero
Best Electric: Alex Fischetti, Max Garstak
Electric: Prannoy Jacob
Electric: Duell Davis
Electric: Maria Cabra
Electric: Eli Freireich
DMX Board Op: Alex Blum
Electric Driver: Matt Calabrese
Genny OP: Manuel Moreno
Key Grip: Liam Murphy
Best Grip: Hana Kim
Grip: Chris Angarone
Grip: Natalie Larkowski
Grip: Charlie Diserens
Grip: Ray Parrella
Grip: Steff Berek
Grip Driver: Niklas Moller
Playback OP: Richard Hart
VFX Supervisor: Cooper Vacheron
VTR: Color Space Digital
VTR Op: Brian Sanchez
BG Wardrobe Stylist: Zoey Radford Scott
BG Wardrobe Assistant: Alexia Barritt
BG Wardrobe Assistant: Josh Hickman
BG Wardrobe Assistant: Nick Trotta
Casting Director: Michele Mansoor
Casting Director Assistant: Raina Bell
Location Manager: Matthew Dipple
ALM Tech: Shady Kerko
ALM Shoot: Brendan Carroll

Art Director: Audrey Ledoux
GS Producer / Art Coord: Vivian Swift
Leadman: Doug Moore
Prop Master: Amanda Soltis
Set Dec: Leo Swarts
Set Dresser: Thomas William
Set Dresser: David Dee
Art Swing: Andreas Kohl
SPFX Lead: Jeff Moratti
SPFX Tech: George Fernandez
PA - Truck: Coleman Chambliss
PA: Rocko Zevenbergen
Shopper: Bailey Brown
Shopper: Lily Rohren
Scenic: Kristen Dempsey
Crafty: Charlie Waters
Set Medic: Scott Zelenetz
Stunt Coordinator: Becca GT
Set Security: Movie Mic
Set Security: Eric Lopez
Office PA: Dannielle Bowman
PA Truck Driver: Ainsley Samuda
PA Truck Ridealong: Kavel Lewis
PA Truck Ridealong: Adonis Lightburn
PA Pass Van Driver: Aidan Burns
PA Pass Van Driver: Nick Yoon
PA Pass Van Driver: Jacob Friedman
Set PA / PA Pass Van Driver: Grayson Powell
Set PA / PA Pass Van Driver: Ben Burton
Set PA: Lizi Latimer
Set PA: Shady Kerko
Set PA: Mac Pogue
Set PA: Dan Kim
Styling Team: Caitlin Harvey
Styling Team: Angelina Arena
Tailor: Thao Huynh
Styling Team: Chris Horan

Hair Stylist: Matt Benns
Hair Stylist Assistant: Austin Webber
Makeup by @YSLBeautyOfficial
Makeup Artist: Raoul Alejandre
Makeup Assistant: Adanis Belliard
Makeup Assistant: Tiffany Rodriguez
Makeup Assistant: Shannon Rodriguez
Manicurist: Sonya Meesh
BTS: Tyrell Hampton
BTS Sound: Gunnar Nagle
Talent Security: Luke McNamara
Band Member: George Daniel
Band Member: A G Cook
Band Member: Finn Keane

Color House: Ethos Studio
Colorist: Dante Pasquinelli
Producer: Nat Tereshchenko
Color assist: Annie Cater
Head of Production: Sasha Pace
MD/EP: Eliana Carranza-Pitcher
Founder/EP: James Drew

VFX: Corduroy VFX

Sound Design & Mix: Concret Form

Title Design: Special Offer, Inc.

Text 1-310-861-2831

https://charlixcx.com/
https://www.tiktok.com/@charlixcx
https://www.instagram.com/charli_xcx
https://twitter.com/charli_xcx
https://www.youtube.com/@officialcharlixcx
https://facebook.com/charlixcxmusic

#Charlixcx #RockMusic #OfficialVideo

Charli xcx - Rock Music
Listen: http://charlixcx.lnk.to/RockMusic

'Music, Fashion, Film' out now - https://charlixcx.lnk.to/MusicFashionFilm

Credits:
Director: Aidan Zamiri
Creative Director: Imogene Strauss

Production Company: Object & Animal
Executive Producer: Alex Brinkman
Producer: Myriam Schroeter
Associate Producer: Reese Layton

Director of Photography: James Beattie
Production Designer: Griffin Stoddard

Editor: Neal Farmer

Artist Mgmt: Twiggy Rowley, Brandon Creed, Sam Pringle & Daniela Parada
Artist Digital: Mekaila Morris

Atlantic Marketing: Marisa Aron
Atlantic Creative: Caroline DeFranco

Production Supervisor: Raven Jensen
Production Coordinator: Dan Order
Creative Assistant: Sarame Sahgal
Post Producer: Gina Crow

1st AD: Josh Montes
2nd AD: David Henrriquez
2nd 2nd AD: Alex Lycette

1st AC: DJ Carroll
2nd AC: Ashton Green
Film Loader: Luke Dowden
Phantom Operator: Jared Kovacs

Gaffer: Austin Locicero
Best Electric: Alex Fischetti, Max Garstak
Electric: Prannoy Jacob
Electric: Duell Davis
Electric: Maria Cabra
Electric: Eli Freireich
DMX Board Op: Alex Blum
Electric Driver: Matt Calabrese
Genny OP: Manuel Moreno
Key Grip: Liam Murphy
Best Grip: Hana Kim
Grip: Chris Angarone
Grip: Natalie Larkowski
Grip: Charlie Diserens
Grip: Ray Parrella
Grip: Steff Berek
Grip Driver: Niklas Moller
Playback OP: Richard Hart
VFX Supervisor: Cooper Vacheron
VTR: Color Space Digital
VTR Op: Brian Sanchez
BG Wardrobe Stylist: Zoey Radford Scott
BG Wardrobe Assistant: Alexia Barritt
BG Wardrobe Assistant: Josh Hickman
BG Wardrobe Assistant: Nick Trotta
Casting Director: Michele Mansoor
Casting Director Assistant: Raina Bell
Location Manager: Matthew Dipple
ALM Tech: Shady Kerko
ALM Shoot: Brendan Carroll

Art Director: Audrey Ledoux
GS Producer / Art Coord: Vivian Swift
Leadman: Doug Moore
Prop Master: Amanda Soltis
Set Dec: Leo Swarts
Set Dresser: Thomas William
Set Dresser: David Dee
Art Swing: Andreas Kohl
SPFX Lead: Jeff Moratti
SPFX Tech: George Fernandez
PA - Truck: Coleman Chambliss
PA: Rocko Zevenbergen
Shopper: Bailey Brown
Shopper: Lily Rohren
Scenic: Kristen Dempsey
Crafty: Charlie Waters
Set Medic: Scott Zelenetz
Stunt Coordinator: Becca GT
Set Security: Movie Mic
Set Security: Eric Lopez
Office PA: Dannielle Bowman
PA Truck Driver: Ainsley Samuda
PA Truck Ridealong: Kavel Lewis
PA Truck Ridealong: Adonis Lightburn
PA Pass Van Driver: Aidan Burns
PA Pass Van Driver: Nick Yoon
PA Pass Van Driver: Jacob Friedman
Set PA / PA Pass Van Driver: Grayson Powell
Set PA / PA Pass Van Driver: Ben Burton
Set PA: Lizi Latimer
Set PA: Shady Kerko
Set PA: Mac Pogue
Set PA: Dan Kim
Styling Team: Caitlin Harvey
Styling Team: Angelina Arena
Tailor: Thao Huynh
Styling Team: Chris Horan

Hair Stylist: Matt Benns
Hair Stylist Assistant: Austin Webber
Makeup by @YSLBeautyOfficial
Makeup Artist: Raoul Alejandre
Makeup Assistant: Adanis Belliard
Makeup Assistant: Tiffany Rodriguez
Makeup Assistant: Shannon Rodriguez
Manicurist: Sonya Meesh
BTS: Tyrell Hampton
BTS Sound: Gunnar Nagle
Talent Security: Luke McNamara
Band Member: George Daniel
Band Member: A G Cook
Band Member: Finn Keane

Color House: Ethos Studio
Colorist: Dante Pasquinelli
Producer: Nat Tereshchenko
Color assist: Annie Cater
Head of Production: Sasha Pace
MD/EP: Eliana Carranza-Pitcher
Founder/EP: James Drew

VFX: Corduroy VFX

Sound Design & Mix: Concret Form

Title Design: Special Offer, Inc.

Text 1-310-861-2831

https://charlixcx.com/
https://www.tiktok.com/@charlixcx
https://www.instagram.com/charli_xcx
https://twitter.com/charli_xcx
https://www.youtube.com/@officialcharlixcx
https://facebook.com/charlixcxmusic

#Charlixcx #RockMusic #OfficialVideo

The official music video for “Who Will You Follow”.
Stream "Sanctuary" OUT NOW! 👉 https://evanescence.lnk.to/Sanctuary
Shop "Sanctuary" 👉 https://shop.sanctuarythealbum.com/release

Director: Jensen Noen
Producers: Phoenix Vaughn, Ruth Devereaux, Ashley Haines
Production Company: Blesscode Entertainment
VFX: Inception Post
Inception Post Lead VFX Artist: Alex Verenchyck
Inception Post Creative Director: Jensen Noen
Editor: Jensen Noen
Assistant Editor: Vasyl Liubka
Colorist: Matt Osborne at Company 3
Production Software: MasterShot
Director of Photography: Powell Robinson
Production Designer: Christina Giddens Garcia
Production Manager: Briana Goldberg
Casting Director: Mikyla Bordner
HMU Designer (Amy): Beth Mignogna
HMU Designer (Band): Emilia Werynska
1st AD: Kendall Foote
CLT: Nate Thomson
Key Grip: Adam Shambour
SteadiCam Op: Aaron Gantt
Hair and Makeup: Beth Mignona
Styling: Marjan Malakapour and Ashton Michael

Subscribe to Evanescence on YouTube: http://bit.ly/2vTSZWt
Official Evanescence Website: http://www.evanescence.com
Like Evanescence on Facebook: https://www.facebook.com/Evanescence
Follow Evanescence on Twitter: https://twitter.com/Evanescence
Follow Evanescence on Instagram: https://www.instagram.com/EvanescenceOfficial
Listen to Evanescence on Spotify: https://open.spotify.com/artis....t/5nGIFgo0shDenQYSE0
Listen to Evanescence on Apple Music: http://apple.co/2kB2JDO

Lyrics
What have you done to me?
You drain the life out of me 'til I don't know myself
When all your faith in reality fades away
Who will you follow?

Are we alone now?
I can't find the way out
Keep waking in the same fever dream
A cure for desire
We're playing with fire

We're drawn to light
We're broken and blinded by it
We're dying for release
If all this fear was born in my mind
I gave you everything you'll ever bе

What have you done to me?
You drain the life out of me 'til I don't know myself
When all your faith in reality fades away
Who will you follow then?

I feel the changes, a crack in the Matrix
Break through the lies like an axe through the screen
You can't stop desire (can't stop desire)
We are the fire

Wake up to the madness
The rats in the wall are already coming through
Lift this twisted veil from our eyes
Forever and ever

What have you done to me?
You drain the life out of me 'til I don't know myself
When all your faith in reality fades away
Who will you follow then?

What have you done to me?
You drain the life out of me 'til I don't know myself
When all your faith in reality fades away, ah
Who will you follow?

BAD OMENS // DYING TO LOVE // OUT NOW

Buy / Stream ‘Dying To Love’: https://sumerian.lnk.to/dyingtolove

Song Credits
Writer: Noah Sebastian
Writer: Joakim Karlsson
Writer: Michael Taylor
Producer: Noah Sebastian
Producer: Joakim Karlsson
Producer: Michael Taylor
Engineering: Matt Dierkes
Drum Engineering: Alex Prieto
Drum Engineering: Matt Dierkes
Drums Recorded at Blackbird Studio Nashville
Assistant Drum Engineer: Austin Brown
Blackbird Drum Rentals: Paulie Simons
Mixed & Mastered by Zakk Cervini at MDDN Studios, Los Angeles
Mix Assistant / Engineer: Julian Gargiulo

MV Credits
Production: Pulse Films
Dir: Nico & Noah
Written by: Noah Sebastian
Written by: Madeline Leary
Executive Producer: Casey Engelhardt
Head of Production: Adam Litt
Producer: David French
Executive Producer: Rok Bukovec
Line Producer: Viktor Mara
Lead Actor: Miha Jakovljevic
Director of Photography: Alex Rapariz “Persona”
Director of Photography: Mario Lerma “Persona”
Steadicam: Leon Moralic
1st AC: Igor Vincetic
1st AC B Cam: Ksavar Sinkar
2nd AC: Luka Podobnikar
VTR: Jernej Valencic
VTR Assistant: Ana Fister
DIT: Urban Vucer

Post Production: The Machine Shop

Post Producer: Abi Perl
Post Supervisor: Eric Zapakin
Editor: Nyk Allen
Conform Editor: Tess Calder
Assistant Editor: Daniel Henry
VFX: Silverlake Studios
Colorist: Paul Yacano
1st AD: David Podgornik
2nd AD: Nina Butkovic
Extras Coordinator: Zuza Pizent
Production Manager: Jan Milic
Production Coordinator: David Champaigne
Production Assistant: Klemen Skubic
Production Assistant: Tim Kern
Production Assistant: Matej Mavri
BTS: Varja Jovanovic
BTS: Saso Stth
Location Manager: Matic Kosorok
Location Manager Assistant: Misel Curcic
Location Manager Assistant: Ales Zmavc
Art Department Supervisor: Miha Knific
Art Director: Lara Stefancic
Art Director: Dora Sabec
Art Director: Lovro Znidar
Art Director: Gregor Bostjancic
Art Director: Jan Arhar Milenkovic
Art Director: Srecko Mandic
Props on Set: Andrej Grizon
Make-Up Designer: Ana Lazovski
Make-Up Assistant: Kristina Mandic
Stylist: Valter Kobal
Stylist Assistant: Kajetan Koal
Stylist Assistant: Sara Brundula
Gaffer: Klemen Smolar
BB Electric: Bor Kiswarday
Electric: Primoz Skubic
Electric: Darjan Vidmar
Electric: Miha Belcijan
Electric: Frank Vidmar

Electric: Jurji Volgemut
Electric: Martin Truden
Electric: Marjan Nikolovick
Electric: Oskar Dolak
Key Grip: Dobrica Ugljesic
BB Grip: Martej Nikolavcic
Grip: Gregor Bergman
Head of SFX: Joze Zalar
Sound Recordist: Vincent Laurence
Sound Assistant: Maxim Laurence
Medic: Tomaz Pirih
Stunt Coordinator: Filip Krziscnik
Production Driver: Jaka Petkovsek
Band Driver: Nik Hasangic
Division Driver: Jon Arbi
Glam and Talent Driver: Aljaz Cafuta
Catering: Dejan Pupcevic
Craft Service: Jeftish Miftari
Craft Service: Dejan Lekse

--
DYING TO LOVE // LYRICS

Driving home with nowhere to be
Passing ghosts that tire of sleep
Blurry faces staring at me
They’re staring but they don’t see a thing

I’ve been dying to love, dying to love, dying to love
One more second’s enough, second to love, second to love

Stepping stones that bloody your feet
Sirens holding flowers of teeth
They call your name from ivory streets
But heaven isn’t quite what it seems

I’ve been dying to love, dying to love, dying to love
One more second’s enough, second to love, second to love

They circle over the stain, my essence slipping away
Waiting their turn for a taste

So tell me how does it taste?
And was it all worth the wait? So was it worth what it takes?


FOLLOW BAD OMENS:
http://tiktok.com/@badomensofficial
https://www.instagram.com/badomensofficial
https://twitter.com/badomenscult
https://www.facebook.com/badomensofficial

FOLLOW SUMERIAN RECORDS:
http://tiktok.com/@SumerianRecords
http://instagram.com/sumerianrecords
http://facebook.com/SumerianRecords
http://twitter.com/SumerianRecords
http://sumerianrecords.com

#dyingtolove #badomens #sumerianrecords

"Michelle (Take 1)" is an early studio recording of one of Rubber Soul's most beloved songs, released ahead of The Beatles – Rubber Soul (Special Editions). This intimate first take offers a fascinating glimpse into the song's development, showcasing the band's performance before the final master was completed.
Paul McCartney's original inspiration for "Michelle" dates back to John Lennon's time at Liverpool College of Art, where Paul and George Harrison would often attend student parties. Recalling the song's origins, Paul said:
"One of John's tutors would have parties. At one of these, sitting over in the corner, there was the troubadour in a black sweater doing Jacques Brel songs. So I used to pretend to be French and I had this song that turned out later to be 'Michelle'. So that's where it all started with me having memories of this faux French song."
Recorded during a nine-hour session on 3 November 1965, Take 1 was the only complete performance to survive on the original four-track tape. Presented here without the later overdubs heard on the finished master, it reveals the song in its earliest recorded form. The tape also preserves tantalising fragments of earlier takes that had been recorded over, offering a rare glimpse into the band's creative process.
You can pre-order The Beatles – Rubber Soul (Special Editions) now: https://thebeatles.lnk.to/RubberSoulYT 
Watch more videos from The Beatles: https://thebeatles.lnk.to/YTPlaylistsYT 


Subscribe to The Beatles’ YouTube channel: https://thebeatles.lnk.to/YTSignupYT 


Join The Beatles’ official mailing list: https://www.thebeatles.com/newsletter 


Visit The Beatles’ official website: https://www.thebeatles.com 


Stream The Beatles: 
Apple Music: https://thebeatles.lnk.to/streamYT/AppleMusic 
Spotify: https://thebeatles.lnk.to/streamYT/Spotify 
Amazon Music: https://thebeatles.lnk.to/streamYT/AmazonMusic
Pandora: https://thebeatles.lnk.to/streamYT/Pandora 
Tidal: https://thebeatles.lnk.to/streamYT/Tidal 
Deezer: https://thebeatles.lnk.to/streamYT/Deezer
YouTube Music: https://thebeatles.lnk.to/streamYT/YouTubeMusic 


Follow The Beatles: 
Instagram:    / thebeatles  

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Snapchat:    / @thebeatles 

#TheBeatles #JohnLennon #PaulMcCartney #GeorgeHarrison#RingoStarr #RubberSoul

Music video by The Beatles performing Day Tripper (Songwriting Work Tape / Visualiser).© 2026 Calderstone Productions Limited (a division of Universal Music Group)

The first version of what was then called “This Bird Has Flown” was recorded during the first day of sessions for Rubber Soul and featured George’s new discovery, the sitar. The band were not happy with this version, so nine days later they taped three more performances.

On take two, track one featured John’s acoustic guitar, Paul’s bass, Ringo on drums and George playing drone notes on sitar. George added more sitar on tracks two and three, with John and Paul’s vocals also recorded on track three. Rather than starting with an instrumental version of the verse melody, as the final version does, this arrangement opens with double-tracked sitar playing the tune of the bridge section.
George had first been exposed to the sound of the sitar during the filming of Help! and became increasingly curious about Indian music. During a meeting with members of The Byrds in Los Angeles, David Crosby spoke about the music of Ravi Shankar, which prompted George to explore his recordings.

George explained how the instrument came to be used: “It felt very familiar to me to listen to that music. Around that time I’d bought a cheap sitar in a shop called Indiacraft in London. When we were working on ‘Norwegian Wood’, it just needed something and it was quite spontaneous. I picked the sitar up and kind of found the notes. We put it on and it seemed to hit the spot and that was it.”

You can pre-order The Beatles – Rubber Soul (Special Editions) now: https://thebeatles.lnk.to/RubberSoulYT

Watch more videos from The Beatles: https://thebeatles.lnk.to/YTPlaylistsYT

Join The Beatles’ official mailing list: https://www.thebeatles.com/newsletter

Visit The Beatles’ official website: https://www.thebeatles.com

Stream The Beatles:
Apple Music: https://thebeatles.lnk.to/streamYT/AppleMusic
Spotify: https://thebeatles.lnk.to/streamYT/Spotify
Amazon Music: https://thebeatles.lnk.to/streamYT/AmazonMusic
Pandora: https://thebeatles.lnk.to/streamYT/Pandora
Tidal: https://thebeatles.lnk.to/streamYT/Tidal
Deezer: https://thebeatles.lnk.to/streamYT/Deezer
YouTube Music: https://thebeatles.lnk.to/streamYT/YouTubeMusic

Follow The Beatles:
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Facebook: /thebeatles
YouTube: /@thebeatles
X/Twitter: /thebeatles
Snapchat: /@thebeatles
#TheBeatles #JohnLennon #PaulMcCartney #GeorgeHarrison#RingoStarr #RubberSoul